Original Fiction
Corner
Corner
This it the 'it' book; the first novel in the Corner series, with the original stories of Sigmund and Loki and how they all met and caused the end of the world. Written very, very, very much out of order; these are more like a series of semi-connected vignettes than an actual story. More information on the characters and story can be found at * supposed former apocalypse junkie.
The Christmas Party
Fairytale
Beginagain
Locks
The Fourth Seal
Into the Void
Never Just Nothing
Back to Reality
Picnic
End of All Things
First Day
A short one-shot about death in the Cornerverse.
The Hammer and the Con
Mostly an excuse to have Loki dress up in his Marvel namesake's costume. Also some random plot stuff about power relationships in Asgard and just why so much stuff went missing after the Ragnarok...
Inbetween
Sigmund-centric, plotless waff. Written for the 29shards prompt 'Love' (1.8).
Loki vs Cthulhu, Battle Start!
Okay, I just couldn't resist. Warning for bad writing, pointless plot, stupid physics and other narrative incongruities and other literary sins. This story should probably not be read by anyone under any circumstances whatsoever, including me. The ending of this is also pretty much a terrible rip-off (admittedly unintentionally at the start) of the much better mythos short-story "God Screamed and Screamed, Then I Ate Him".
Loki vs the Lokeans
Loki accidentally meets some of his followers. Wackiness and random stereotypes abound. Mostly this is just me railing about the scary amounts of magical thinking and Otherkin/'soulbounding' wank that goes on in online heathen communities. The ironic part about this, is that according to the rules of the Cornerverse, soulbonding does happen (Sigmund, Dee, Wayne and Ed for starters).
The Promethean
Loki and Baldr hash out some issues about identity.
(s)AINT
Rape-revenge fic set around the Cornerverse's Nortcha Drif bar. Introduces Loki's great-great-great-something-granddaughter, Esia, as well as providing a few of the scare tactics that show up in Dead on Arrival. Yes, that's the title of a Marilyn Manson song, very observant.
Et tu, Angelus?
Golgotha Tenement Blues
The start of the last 'arc' between the two EtA?s, Alex Lain -- nee Michael, nee Lucifer -- decides to end the world.
Et tu, Assiah?
Et tu, Assiah?
Picks up after the Apocalypse engineered at the end of Et tu, Angelus?. The Tetramorph reassemble in the new world. Information on the Assiahverse can be found at The Nortcha Drif Wiki.
Urban Nordica
Alex Lain Comes Out
At the end of Chainbreaker, Loki technically leaves a son in the Urban Mythica-verse. This is a short, 'what-if' character study.
Chainbreaker
Two worlds collide, with disastrous results. The first book in the UN series; one part sex, one part violence, one part pop-culture, one part end of the world. You know, the usual. More information on the series -- including a full download in PDF format -- can found here.
Halfway Between the Sewer and the Moon
Set fairly close to the end of the book, some issues are resolved, some scars -- both literal and not -- are reopened.
Coffeebreak
Loki is called to New York on business and decides to pay an old acquaintance a visit on the way. It cuts of pretty abruptly, but it's just supposed to be a little snippet, not an actual scene, and I've said all that I want to say in it. Set after the 'bad' ending to Dead on Arrival (you know, the one you get if you don't save the princess in time).
Dead on Arrival
The second full-length book of the UN series. After the events of Chainbreaker, Miriah finds herself stranded in Loki's world, which is turning out to be not nearly as fun as it sounded on the box. Throw in a rogue Nekro, an angry God, and a conspiracy of epic proportions, and things are shaping up to be a pretty hectic month.
Nasty Things to Nasty People
One of the darkest chapters in the book. Loki gets his hands on Nekro. Bad things happen.
Late Night Lamb
Miriah goes for a walk in Cornerverse Pandimonium City and finds things there aren't quite what she expects. Set during but not actually 'in' Dead on Arrival.